fraudstress

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English[edit]

Etymology[edit]

From fraudster +‎ -ess.

Noun[edit]

fraudstress (plural fraudstresses)

  1. (rare) A female fraudster.
    • 1986, Great Britain Parliament, House of Commons, Official Report of the Standing Committees, page 25, column 2:
      Perhaps we should also have the concept of fraudstress or, if we are to eliminate such terminology from out[sic] vocabulary, we should talk about a fraud person.
    • 1995, Fortean Times, page 18:
      [] 25-year-old benefit fraudstress []
    • 2009 May 15, Colby Cosh, “From Craigslist to Johns’ List”, in National Post, volume 11, number 166, page A15:
      After all, there have must have been at least a dozen American serial killers who used newspaper personal and want ads to locate potential victims. They were essential to the modi operandi of Belle Gunness, the turn-of-the-century Western insurance fraudstress who may have killed 40 people before disappearing mysteriously, []
    • 2013, Karen Lingefelt, chapter 3, in Wagered to the Duke, Siren-BookStrand, →ISBN, page 35:
      She was quite certain now there was a divine conspiracy to expose her for who and what she really was—Katherine Baxter, hopelessly on-the-shelf spinster, and just as hopelessly inept fraudstress—and banish her back to Bellingham Hall where she’d never see the light of day again.
    • 2018, Nadine Akkerman, “The Credibility and Archival Silence of She-Intelligencers: Women on the Council of State’s Payroll”, in Invisible Agents: Women and Espionage in Seventeenth-Century Britain, Oxford University Press, →ISBN, page 74:
      The sources, however, tell a different story, that of a fraudstress [Diana Stewart] who adapted to her circumstances like a chameleon in order to make a living, relying on female networks to gain credibility, and in the process hoodwinking both the Royalists and [John] Thurloe, while managing to keep her sexual reputation intact.
    • 2022, Olga Smith, “1970s: Engagement and Subjectivity”, in Contemporary Photography in France: Between Theory and Practice (The Lieven Gevaert Series), Leuven University Press, →ISBN, section “Mythologies of the Self: Photography in Artistic Practices”, page 49:
      The cast of characters she [Annette Messager] embodied in her projects included “the practical woman”, “the collector”, “the fraudstress” and “the artist”.